Hearing the unheard

I recently observed the thread of a conversation on a Twitter post[1] by Professor Euan Ritchie[2] of Deakin University suggesting the ecological and conservation community needed to reflect deeply on ideas and narratives that had questionable outcomes for biodiversity. You could hear the frustration in the tone of Ritchie’s tweet and responses. His post andContinue reading “Hearing the unheard”

Simply start where you are when art-making is a crushing chore

Mosses and Marshes is now 10 days out from opening its first showing at Qube Gallery, Oswestery UK on 1 October. Since July, there’s been a growing intensity around the development of words, sounds, and images around this project, that’s had my UK collaborator Andrew Howe and me in daily communication. It’s the time for details.Continue reading “Simply start where you are when art-making is a crushing chore”

The solace of creativity in times of crisis

At 5pm on Saturday 14 August, the State of New South Wales went into a COVID-19-responsive lockdown. The regional City of Dubbo and its local government area had already been under stay at home orders for three days on the back of growing active COVID cases; the region’s Indigenous population dangerously exposed. Sydney, our StateContinue reading “The solace of creativity in times of crisis”

The power of the abstract

Taking concrete ideas and making them abstract, or tangible values and pulling them apart to find the intangible, are processes my Mosses + Marshes partner Andrew Howe and I have been working through for the past two years. Research and reading copious pages of factual historical and scientific information on our respective wetland landscapes fuels the ideasContinue reading “The power of the abstract”

The necessity of ‘awkward silence’

The vision of ecoPULSE is to create a safe space to talk, share, think and plan a future that’s inclusive of all of us, human and more-than-human. ecoPULSE has an ambitious mission – Exploring regional futures through enquiry, creativity + connections. Creativity is fed by enquiry and connections help extend the ideas and conversations that evolve fromContinue reading “The necessity of ‘awkward silence’”

12 months on

On a warm weekend at the end of February 2021, I returned to the Macquarie Marshes to spend a night on “Burrima” – almost 12 months to the weekend since I made my first field recording trip. READ Silent symphony: the “Burrima” baseline, February 2020 I have a sharp memory of that first visit, campingContinue reading “12 months on”

The land that sustains us has more than one language (updated)

UPDATED 23 JUNE The English language dominates the world with its constantly evolving collection of words and phrases in the form of slang, hashtags, incoherent phrases complicated by jargon, acronyms and clichés, and words of the year shaped by world events and culture. It’s a universal language used by business, governments, tourism, international relations, entertainmentContinue reading “The land that sustains us has more than one language (updated)”

A tale of two rivers

The Galari/Lachlan River is the fourth-longest river in Australia. It flows through the lands of the Wiradyuri, Nari Nari and Yita Yita Nations starting on the Breadalbane Plains near Goulburn (696m above sea level), terminating at the Great Cumbung Swamp near Oxley on the Hay Plains (about 70m above sea level). The river is consideredContinue reading “A tale of two rivers”

Giving the Galari her voice

Just as Pulse of the Wetland was getting underway this year, I was given the news that my application for a 2020 residency with the CORRIDOR project (tCp) near Cowra was successful. It was March, and the world was in the midst of panicking about a pandemic; no one really knew what was ahead andContinue reading “Giving the Galari her voice”

Finding common ground

…it’s very pretty – one of the words that (with) landscapes we don’t use enough of… ERIC FISHER, FORMER MARSH GRAZIER, “Wilgara” Quambone Over the past six months of working on Pulse of the Wetland, I’ve been collecting stories from people who have a connection to the Marshes. It’s been a mix of identifying individualsContinue reading “Finding common ground”