ecoPULSE logo

Exploring futures through enquiry, creativity + connections

ecoPULSE is a collection of investigative, ecology-centred, digital media projects led by Australian artist, Kim V. Goldsmith. These projects explore relationships with, responses to and narratives about our place in the natural world and within regional communities, wherever they may be.

Keep scrolling to find out more about other ways to CONNECT or CONTRIBUTE


“Kim is an example of what regional arts should be, not art just made regionally, but art that questions and challenges regionality as a limitation, that sees in its extreme the opportunity to be revelatory.”


KIM V. GOLDSMITH‘s digital media and installation practice is informed by her former professional life as a print/radio journalist, farmer, and communications specialist. She has a deep love for the land and the life forms that depend upon it. Kim’s art practice of the past two decades has consistently explored the complexities of human relationships with the environment.

Kim has been developing the use of digital media and sensory installation techniques since 2008/09, when she first investigated the use of digital media as part of a collaborative social ecology project with Peter E. Charuk and Gail Naden, facilitated by the Western Plains Cultural Centre (Dubbo NSW). The resulting 2009 exhibition Perspectives. Art. Ecology., was a turning point in her practice.

Over the past decade, she has exhibited in curated solo and group shows, pop-up public events, and contemporary art festivals including Cementa 2015 and 2019Vivid Sydney’s Curve Ball event (2016), and Artlands 2016, and over the past three years, in international exhibitions with Arts Territory Exchange.

ecoPULSE Projects

Using a range of digital technologies, community consultations, research, storytelling and immersive installation, ecoPULSE Projects aim to consider and present new perspectives about the ecologies of rural and regional territories.

Project blogs


  • A tale of two rivers
    The Galari/Lachlan River is the fourth-longest river in Australia. It flows through the lands of the Wiradyuri, Nari Nari and Yita Yita Nations starting on the Breadalbane Plains near Goulburn (696m above sea level), terminating at the Great Cumbung Swamp near Oxley on the Hay Plains (about 70m above sea level). The river is consideredContinue reading “A tale of two rivers”
  • Giving the Galari her voice
    Just as Pulse of the Wetland was getting underway this year, I was given the news that my application for a 2020 residency with the CORRIDOR project (tCp) near Cowra was successful. It was March, and the world was in the midst of panicking about a pandemic; no one really knew what was ahead andContinue reading “Giving the Galari her voice”
  • Finding common ground
    …it’s very pretty – one of the words that (with) landscapes we don’t use enough of… ERIC FISHER, FORMER MARSH GRAZIER, “Wilgara” Quambone Over the past six months of working on Pulse of the Wetland, I’ve been collecting stories from people who have a connection to the Marshes. It’s been a mix of identifying individualsContinue reading “Finding common ground”

Connect + Contribute


If you’re an artist interested in collaborating on an ecoPULSE project, or initiating one of your own that you’d like to discuss, please connect.

If you’re a community with an interesting idea for an eco project that you’d like explore, please connect.

If you’re an organisation who would like to partner on a project, please connect.


Every story told invites connection. By contributing to an ecoPULSE project, you’re sharing your story not just with the project collaborators and partners, but with the world.

ecoPulse is always looking for contributions from communities, individuals, organisations to sharing the stories through digital media presentations.


ecoPULSE projects allow people from all walks of life to invest in art projects that contribute to the conversation about our future.

We use the Australian Cultural Fund to crowdfund. Our last campaign in 2019, reached more than 100% of the target in support of the Eye of the Corvus project, gaining 46 donors who were invested in the project’s outcome.

Stay in touch about when our next campaign is ready to launch.

Regional Arts Fund Regional Arts NSW logo and acknowledgement

We acknowledge the traditional owners and custodians of the lands on which we work across Australia and other First Nations countries, and we pay my respects to Elders past, present and those yet to emerge. Sovereignty has never been ceded. It always was and always will be, Aboriginal land.