Pulsations

ecoPULSE logo

Exploring futures through enquiry, creativity + connections

ecoPULSE is a collection of investigative, ecology-centred, digital media projects led by Australian artist, Kim V. Goldsmith. These projects explore relationships with, responses to and narratives about our place in the natural world and within regional communities, wherever they may be.

The changing environments of two of the world’s internationally recognised wetlands are under the microscope in an exciting collaboration between artists, land managers and environmental specialists in the UK and Australia. Exhibitions, a publication and public programming gets underway from mid-2021.

Kim V. Goldsmith & Andrew Howe, The Tone of Things, HD video with sound, due: 0’33”
A taste of what’s to come, The Tone of Things is a video and sound mix layering handmade paper made from the reeds of Whixall Moss (UK) with underwater footage from the reedbeds of the Macquarie Marshes (AU), accompanied by tones generated in post-production from field recordings captured on both sites, atmospheric sounds from the wetlands, and hydroacoustics of water plants with their roots deep in the mud.

WORLD WETLANDS DAY (2 FEBRUARY 2021) LAUNCH + PREVIEW MEDIA RELEASE

Keep scrolling to find out more about other ways to CONNECT or CONTRIBUTE

WHO FACILITATES ecoPULSE

“Kim is an example of what regional arts should be, not art just made regionally, but art that questions and challenges regionality as a limitation, that sees in its extreme the opportunity to be revelatory.”

JESSICA MOORE, DUBBO REGIONAL COUNCIL CULTURAL DEVELOPMENT COORDINATOR, 2019

KIM V. GOLDSMITH‘s digital media and installation practice is informed by her former professional life as a print/radio journalist, farmer, and communications specialist. She has a deep love for the land and the life forms that depend upon it. Kim’s art practice of the past two decades has consistently explored the complexities of human relationships with the environment.

Kim has been developing the use of digital media and sensory installation techniques since 2008/09, when she first investigated the use of digital media as part of a collaborative social ecology project with Peter E. Charuk and Gail Naden, facilitated by the Western Plains Cultural Centre (Dubbo NSW). The resulting 2009 exhibition Perspectives. Art. Ecology., was a turning point in her practice.

Over the past decade, she has exhibited in curated solo and group shows, pop-up public events, and contemporary art festivals including Cementa 2015 and 2019Vivid Sydney’s Curve Ball event (2016), and Artlands 2016, and over the past three years, in international exhibitions with Arts Territory Exchange.

ecoPULSE Projects

Using a range of digital technologies, community consultations, research, storytelling and immersive installation, ecoPULSE Projects aim to consider and present new perspectives about the ecologies of rural and regional territories.

Project blogs

Cadence

Connect + Contribute

Connect

If you’re an artist interested in collaborating on an ecoPULSE project, or initiating one of your own that you’d like to discuss, please connect.

If you’re a community with an interesting idea for an eco project that you’d like explore, please connect.

If you’re an organisation who would like to partner on a project, please connect.

Contribute

Every story told invites connection. By contributing to an ecoPULSE project, you’re sharing your story not just with the project collaborators and partners, but with the world.

ecoPulse is always looking for contributions from communities, individuals, organisations to sharing the stories through digital media presentations.

Donate

ecoPULSE projects allow people from all walks of life to invest in art projects that contribute to the conversation about our future.

We use the Australian Cultural Fund to crowdfund. Our last campaign in 2019, reached more than 100% of the target in support of the Eye of the Corvus project, gaining 46 donors who were invested in the project’s outcome.

Stay in touch about when our next campaign is ready to launch.

Regional Arts Fund Regional Arts NSW logo and acknowledgement

We acknowledge the traditional owners and custodians of the lands on which we work across Australia and other First Nations countries, and we pay my respects to Elders past, present and those yet to emerge. Sovereignty has never been ceded. It always was and always will be, Aboriginal land.